Numbering continued in Western True Crime #15 (1) - #6.

Series continues as My Private Life (Fox, 1950) #16.

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Issues 7-12 are titled "Firehair".

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Rulah was Fox Feature's response to Sheena, Queen of the Jungle. Her real name was given variously as either Jane Dodge (Zoot #7) or Joan Grayson (Rulah, Jungle Goddess #20). In the latter version, Rulah is a young aviatrix on a solo flight over Africa when her plane loses control and crashes. She replaces her clothes (which were destroyed in the crash) with a bikini made from the skin of a dead giraffe. Soon afterwards, Rulah saves a local tribe from an evil woman; the grateful tribespeople declare her queen. Rulah decides to remain in the jungle as its protector. Rulah is often accompanied by her pet panther Saber. Her boyfriend, Tim Pointer, is introduced in issue #20...

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Series continues as "My Love Life" (Fox, 1949) #6.

Publication Dates:Spring 1951 - Spring 1952.

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How do you announce winter is coming to an end? You spring it on them! Welcome the springtime with a celebration of DC’s greenest and greatest. As the flowers bloom, breathe in that Swamp Thing smell. Watch the Blue Beetles fly out from Titans West. Pick a Captain Carrot or two from Floronic Man’s garden, but make sure to avoid the Poison Ivy. The season may go by in a Flash, but don’t worry—stories like these last forever. Oh, and Wonder Woman will be there, too!

The first comic series featuring (and sharing the name of) a female character, predating Wonder Woman by three months.

Brenda Starr was previously published by Superior and the volume continues as Young Lovers with issue #16.

A group of free-loving hippies head to Frank Baker's American Free Love Festival for all the sex, drugs and rock n' roll they can get their grubby hands on. But they're not the only ones coming... out of the woods comes a maniac of presidential proportions! He's big. He's mean. And he's come back to save a country that's lost its way, and slaughter every last filthy hippie who dares to enter his domain. It's morning in America all over again! Go out there and... KILL ONE FOR THE TRIPPER!

No issues #13 or 14.

Forces In Combat was a British weekly comic first released in 1980. The series was an attempt by Marvel UK to produce a comic more in line with the traditional British boy`s weekly. It reprinted earlier Marvel stories in short chapters and ran for 37 issues. Some of the comic-strips featured included Master Of Kung-Fu, Rom:Spaceknight, The Rawhide Kid, Kull The Conqueror, Machine Man, the Golem, the John Kowalski War is Hell stories and Sergeant Fury, plus colour reprints of Ron Embleton's Wulf the Briton, a non-Marvel strip that originally appeared in Express Weekly. After 37 issues it merged with Future Tense to become Future Tense and Forces in Combat; the first combined issue was #13, continuing Future Tense's numbering. Rom was the only strip to transfer over to the new title. The Forces in Combat subtitle was unceremoniously dropped from Future Tense only one week later, as the cover title reverted to simply Future Tense as of #14.

Launched on 20th May 1989, It's Wicked! was Marvel UK's foray into producing a comic of supernaturally-themed humour strips, aimed at the market that was previously served by titles such as Monster Fun and Shiver and Shake. Unlike most non-reprint Marvel UK titles, it was neither set in the Marvel universe nor were most of the strips licensed properties. Strips included Gordon Gremlin, Inspector Spectre, Ghostman Bat and his Black and White Rat, Clare Voyant, Best of Fiends, Toad in the Hole, Dunstable D. Dragon, Winnie the Witch Doctor, Mummy's Boy, Ghoul School and Ghosthunters. The cover star was Slimer from Ghostbusters. Only 17 issues were produced before the title was cancelled.

In this original Disney collection, Hemingway’s “The Battler” and “The Killers” inspire new Mickey and Peg Leg Pete parodies while our title adventure, with Mickey meeting “Ernest” in person! From Donald’s bid for knighthood as “The Duck Who Would Be King” to Peg Leg Pete’s invasion of a diner in “Bad Boys” and Uncle Scrooge’s shark-wrangling in “The Older Man and the Sea,” these epics range from direct pastiches to shorts loosely based on “Papa” Hemingway’s work ― each paired with its authors’ “liner notes,” telling the fascinating tale of how and why they were inspired.