This is a collection of paintings, a one-man bestiary of monsters, weirdos, beasties, and anthropomorphs, all painted in Furie's meticulous brand of representational surrealism. Furie's cheerful, anthropomorphic comics character, Pepe the Frog, became a meme that was appropriated by hate groups (as seen in the documentary Feels Good Man, which premiered at the Sundance Film Festival.) Furie's recent paintings reflect this experience. This is a showcase for an unsettling menagerie; creatures seem to be hiding their true intentions. Furie is plumbing darker depths in these works, despite the paintings' inviting colors and friendly cartoon iconography.

Cartoonist Matt Furie’s deadpan comics showcase slacker roommates Andy, Brett, Landwolf, and Pepe in a series of comical vignettes combining laconic psychedelia, childlike enchantment, drug-fueled hedonism, and impish mischief. The perpetually insouciant glaze of his characters belie the sharp verbal and visual wit of Furie, who delivers a stoner classic for the Tumblr generation. In fact, Furie’s wildly popular teenage weirdoes became an overnight internet sensation when Pepe the Frog was widely adopted by users of 4chan and remixed ad infinitum from there (including uses by pop stars like Nicki Minaj and Katy Perry), giving Boy’s Club built-in recognition with many. A spiritual cousin to Simon Hanselmann’s Megahex and Joán Cornella’s Mox Nox, Boy’s Club’s sense of humor will especially resonate with fans of stoner comedies and black humor.