"Written by renowned comic writer and author of the Quarry Hard Case Crime novels, Max Allan Collins ('Road to Perdition', 'Batman', 'Action Comics Weekly') and illustrated by Szymon Kudranski ('Batman: Streets of Gotham', 'Spider-Man', 'Spawn'). Former U.S. Marine sniper Quarry has found a new vocation as a professional assassin. But when his latest contract turns out to be an old acquaintance from his military days, the fresh-faced hit man finds himself battling against his own conscience as secrets from the past start to reveal themselves. First ever Quarry comic – companion to the acclaimed Cinemax TV series."

San Tiburon Federal Correctional Institution has just received a new arrival -- an extremely dangerous vigilante calling himself Payback who is hellbent on killing the prisoners inside. While the Assistant Warden deals with the repercussions of adding such a volatile new prisoner, the Warden makes an attractive offer to a new Captain of Violent Crime: a former military man named Jason Brody. And soon, the wheels are set in motion for an inevitable showdown between the men.

Peggy Carter. She's enigmatic and beautiful, a woman with a mission. She's a pistol... with a pistol. She's all-American, just like Cap. She's prepared to sacrifice all, just like Cap. And she's ready to double cross him if she has to, when she has to. Disguises and despair, guns and glory. It's a tale of amour and honor in WWII France. She's Cap's first love and she's going to make a lasting impression... even if it kills him!

The book opens in the middle of Ragnarok. As the forces of evil are on the doorstep of the Highfather Odin ( Odin , Highfather ). We find that there was a pact made with "The Source" giving the power of light to Thorion ( Thor , Orion ), so he could defend Asgard from Thanosied and his evil henchman Lok De'saad.

Before there was Kate Beaton, New York Times bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta's oil rush—part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.