The year is 1938. The threat of World War II looms over the United States, where Nazi sympathizers and fascists have taken root on American soil in alarming numbers. In New York City, resistance to the American Nazi movement grows amongst the ranks of Jewish-American gangsters. Enter Jonas Kaminsky, a rising small-time gangster who's embroiled in a turf war with Levi Solomon, an old-time mob boss with millions tied up in gambling and booze. When thrown together in an unexpected circumstance, it turns out that the one thing these gangsters hate more than each other is Nazis. Part of the comiXology Originals line of exclusive digital content only available on comiXology and Kindle. This title is available as part of comiXology Unlimited, Kindle Unlimited and Prime Reading.

Before we begin, this was series John Byrne worked on at his leisure that, in the end, Marvel and he could not come to an agreement to publish. As such, he decided to post a page a day from last June 2019 of the now dubbed fanfic series.

Brand-new comics based on the best-selling franchise, which leads directly into the upcoming new game – Quake: Champions!

THE GOLDEN GAME Part One: "Crown and Anchor!" -- Your favorite Avengers finally return, courtesy of the one and only Grant Morrison! When Tara King is kidnapped by a mysterious organization, John Steed and Emma Peel must reunite to solve this new mystery. Featuring gorgeous art from Ian Gibson, best know for his work with Alan Moore. on The Ballad of Halo Jones. The original British TV series The Avengers helped define the "Spy-Fi" genre: from January 1961 to May 1969, for 161 episodes, The Avengers was a staple of fandom; one of the longest-running hit espionage series alongside Mission Impossible, and a small screen counterpart to that other famous United Kingdom spy, James Bond! A science-fiction/ spy fiction mash-up from Grant Morrison and two of TV's most iconic heroes!

Becomes Nyoka the Jungle Girl with issue #2.

Siren has returned from the Marvel universe, she has new powers but has arrived to an unknown desert and will need to fight Aladdin who wants her for her very strange origin.

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1920s Nairobi. When two Africans are found gruesomely murdered, all signs point to John Wallace, a promising young plantation owner with a bright future ahead of him and a beautiful bride-to-be. What drove him to kill these men? His silence and a corrupt system lead to internment, without a trial, in a vicious Kenyan prison camp. But sadistic guards, conspiring cellmates, and harsh desert labor are no match for the suffering that Wallace feels inside over the life he lost, and how best to get it back. He’s willing to do anything for revenge—even loose the mysterious beast lurking within…

The bloody saga of Maniac Harry continues!After the tragedy of The Death Train. Detective Zelda Pettibone and mayoral aide Gina Greene have lost the trail of the Maniac — and the support of the city. Copycats are springing up. tensions are high and traffic is a nightmare. So. what happens when your favorite unstoppable. mindless killer resurfaces in a Bronx high school? Can Zelda and Gina get there before Maniac Harry adds to his body count? Will the students tear their attention away from their phones long enough to notice there’s a monster in the halls?Writer Elliott Kalan and artist Andrea Mutti return for the next chapter of the hit horror-satire that’s somehow even scarier than the world we actually live in!

A tale of crime and capes in line of THE BOYS, WATCHMEN and SIN CITY. The 90s were the most extreme age for superheroes… but times change. Gabin Hart, AKA Damager, now works as a bouncer in a strip club managed by the Russian mob, hangs out sporadically with his ex Avengelady, and wrestles with the long term effects of his cyber-implants. But Fate always keeps one last cheap shot up its sleeve for a hero.

A sharp super-hero spoof from a stellar team that includes co-creators of Irredeemable and Second Coming! In Gravel City, the super-villain Emperor King has devised not only a sadistic death trap for his arch-enemy, The Accelerator, but also the means to penetrate the top secrets of his other arch-enemy, The Chandelier! Important new comic book universe begins here, we say sarcastically!

At the end of the American Civil War, a ragtag squad of Confederate soldiers calls upon the ultimate evil to save the South. Now, the remains of their unit must team with Union soldiers to survive the horrors of the Swamp God.

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When St. Ivory Academy, a historically white wizarding school, opens its doors to its first-ever black student, everyone believes that the wizarding community is finally taking its first crucial steps toward inclusivity. Or is it? When Tom Token, the beneficiary of the school's "Magical Minority Initiative," begins uncovering weird clues and receiving creepy texts on his phone, he and his friend, Lindsay, stumble into a conspiracy that dates all the way back to the American Civil War, and could cost Tom his very soul.

Visually inspired by the rich black and white style of films like Touch of Evil and The Maltese Falcon, DeadTown combines the finest film noir traditions with the zombie horror genre, in an edgy re-imagining of the hard boiled detective thriller. Don't miss this exciting preview story!

"She Ought to Be in Pictures," Cheryl gets bit by the fame bug and decides to make a movie about her life so she will get recognized as the next big Hollywood star; She recruits her Riverdale friends to help but drives them all crazy as she blunders through her faux documentary; Unfortunately, her rascally brother gets a hold of the embarrassing footage.

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Mr. Twee Deedle, Johnny Gruelle’s masterpiece, unjustly forgotten by history and never before reprinted since its first appearance in America’s newspapers from 1911 to 1914. The title character in the Sunday color page, Mr. Twee Deedle, is a magical wood sprite who befriends the strip’s two human children, Dickie and Dolly. Gruelle depicted a charming, fantastical child’s world, filled with light whimsy and outlandish surrealism. The artwork is among the most stunning ever to grace an Amercian newspaper page, and Gruelle’s painterly color makes every page look like it was created on a canvas. Mr. Twee Deedle stands as a bizarre time-warp: at a time when most children’s literature and kids’ comic strips were somewhat violent or starkly moralistic (the Brothers Grimm; the Katzenjammer Kids; and even Little Nemo itself, which often depicted nightmares, fears, and dangers), Twee Deedle was sensitive and whimsical. Instead of stark moralizing, it presented gentle lessons. It reads today like a work for the 21st century… indeed for all times, all ages.