Before there was Kate Beaton, New York Times bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta's oil rush—part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

"Six months on the New York Times Bestseller list! Featured on 25 Best of the Year lists! Ida B. Wells, the Black Prince, and Benito Juárez burst off the pages of Step Aside, Pops: A Hark! A Vagrant Collection, armed with modern-sounding quips and amusingly on-point repartee. Kate Beaton's second D Q book brings her hysterically funny gaze to bear on these and even more historical, literary, and contemporary figures. Irreverently funny and carefully researched, no target is safe from Beaton's incisive wit in these satirical strips. Beaton began her infectiously popular web comic, Hark! A Vagrant, in 2007 and it quickly attracted the adoration of hundreds of thousands of fans. It was an unequivocal hit with critics and fans alike, topping best-of-the-year lists from E!, Amazon, Time, and more. Now Beaton returns with a refined pen, ready to make jokes at the expense of hunks, army generals, scientists, and Canadians in equal measure. With a few carefully placed lines, she captures the over-the-top evil of the straw feminists in the closet, the disgruntled dismay of Heathcliff, and Wonder Woman's all-conquering ennui. Step Aside, Pops is sure to be the comedic hit of the year: sharp, insightful, and very funny."

Marvel's critically acclaimed indie anthology returns! The best most exciting cartoonists working today re-imagine Marvel's greatest characters!