Founder of the Impressionist movement of which he was one of the most merciless critics, too bohemian for the bourgeois and too bourgeois for the artists, Edgar Degas was a man of many paradoxes. A loner, he loved only one woman without ever courting her. Looking into this unique relationship at the twilight of Degas' life, Efa and Rubio open the pages of the artist's notebooks hoping to unravel the mystery of this genius full of contradictions.

“Django: Hand on Fire” tells the story of the youth of Django Reinhardt, a Roma raised outside Paris who would go on to be one of the most influential guitarists of all time. We follow his early years as an aimless and rebellious kid who is heading for a life of trouble until his devoted younger brother Nin-Nin convinces their mother Négros to buy him a banjo. Captivated by its possibilities and spurred by his natural talent, Django becomes obsessed with the instrument and quickly surpasses his older peers, mastering the popular bal-musette and intrigued by the new jazz coming over from the States. Soon he is playing in clubs and winning awards. He is on the verge of international success at the age of 18 when a tragedy strikes that will mark the rest of his life and career: he is badly burned in a caravan fire and spends the next years relearning how to play the guitar with only two fully-functioning fingers. This is an amazing story of perseverance and of fierce family love that is little known even to many jazz aficionados.

This is a dramatic retelling of true events in the life of Francisco—or François—Boix, a Spanish press photographer and communist who fled to France at the beginning of World War II. But there, he found himself handed over by the French to the Nazis, who sent him to the notorious Mauthausen concentration camp, where he spent the war among thousands of other Spaniards and other prisoners. More than half of them would lose their lives there. Through an odd turn of events, Boix finds himself the confidant of an SS officer who is documenting prisoner deaths at the camp. Boix realizes that he has a chance to prove Nazi war crimes by stealing the negatives of these perverse photos—but only at the risk of his own life, that of a young Spanish boy he has sworn to protect, and, indeed, that of every prisoner in the camp.