Published in 1970, writer Hector Germán Oesterheld and the father and son illustration team of Alberto and Enrique Breccia intended Evita: The Life and Work of Eva Perón to be the follow-up to the successful and controversial 1969 graphic biography Life of Che. But the script was taken away from him and depoliticized by another writer. In 2002, a restored, revised, and updated version of Evita, featuring Oesterheld's original script, which takes a uniquely symbolic approach to her life and career, was finally published in Argentina. Here, it is in English for the first time.

The book begins in Bolivia in 1967, then flashes back through Che's life — his childhood, his radicalizing motorcycle trip with Alberto Granado, his taking up of arms in Guatemala, his meeting with Fidel Castro, and his subsequent military and political maneuvers, ending in a fade-out to his death. Alberto Breccia and his son, Enrique, drew Life of Che. Enrique draws the Bolivia passages in a woodcut style, while Alberto depicts the flashbacks in his trademark, expressionistic black-and-white. It is primarily set in the field and with the people. Héctor Germán Oesterheld (The Eternaut) blends his authorial voice with Che's first-person. Life of Che is imbued with a sense of immediacy, as both Che and, eventually, Oesterheld would meet their ends by a military government backed by the American CIA. As Pablo Turnes writes in his afterword, it is "the testament of someone consciously marching toward his revolutionary death."

Alberto Breccia is recognized as one of the greatest international cartoonists in the history of comics and Mort Cinder is considered one of his finest achievements. Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962–1964, is drawn by Breccia in moody chiaroscuro. The artist’s rubbery, expressionistic faces capture every glint in the eyes of the grave robbers, sailors, and slaves that populate these stories; while the slash of stripes of prisoners’ uniforms, the trapeziums of Babylon, and more create distinct and evocative milieus.

For the first time in English, this seminal Argentinian science fiction graphic novel whose main character is still viewed as a symbol of resistance in Latin America.This originally appeared as weekly installments from 1957-59. Juan Salvo, the inimitable protagonist, along with his friend Professor Favalli and the tenacious metal-worker Franco, face what appears to be a nuclear accident, but quickly turns out to be something much bigger than they had imagined. Cold War tensions, aliens of all sizes, space-and time travel-this one has it all.